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“Keep On Keepin’ On” is the opening track on Bleached’s latest album, Welcome the Worms, and sets the tone for a driving, yet uplifting femme-punk sophomore LP. “Limerent Death” proves that even a mathcore band with a pension for incorporating everything from jazz breakbeats to girl group-style chorus lines can still mix things up with a straight-ahead breakdown now and again. Maal’s call and return with Marcus Mumford alone makes it worth giving the song a listen.ģ9. Though they’re known for their folksy draw, Mumford and Sons change their own game strategy this year with the release of “There Will Be Time,” a collaboration with Senegalese artist Baaba Maal. Mumford and Sons featuring Baaba Maal – “There Will Be Time”
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It is an unexpected crossroads, but the best introduction is their track “1985” off Nettesferd, released this past Spring.Ĥ0. Norwegian rockers Kvelertak form at the intersection where classic ’80s rock and black metal intersect.
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That introductory guitar screech is like a syringe full of grimy fixation: entirely too addicting. “Exhale” was a full eight minutes of why Underworld was needed after their six-year hiatus.Ĥ2. This is the reversal, the man stalked in the night by creeping horns and withered vocals be sure to turn around before the attack. Blood Orange featuring Empress Of – “Best To You”īlood Orange’s third album, Freetown Sound, gave us “Best To You,” an ethereal inquiry into love with a tropical twist. Trading in their signature high intensity hardcore-driven approach for a more ethereal but equally energetic shoegaze-y sound, Touché Amoré enlists celestial songwriter Julien Baker for “Skyscraper,” which both recounts a trip vocalist Jeremy Bolm took with his mother to New York City near the end of her life and suggests her possible continued existence in the afterlife, capping off an emotional album with a totally weighty exploration of memory following the death of a loved one.Ĥ5. Touché Amoré featuring Julien Baker – “Skyscraper” “Hineni, hineni, I am ready my lord,” Cohen growls, like a man who lived without fear of his final goodbye.Ĥ6. From its choral intro, to myriad religious themes and sounds, the LP’s title track is classic Cohen. Like Bowie’s Blackstar, Leonard Cohen left us with his own parting gift, You Want It Darker. RZA’s confrontational versus drive the song between Bank’s vivid choruses.
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The Avett Brothers – “No Hard Feelings”Ī song that ponders rather dark aspects of fate channeled into a sweet, soft ballad. Garage jam that sneers with attitude, as The Coathangers’ bratty energy propels the song with vigor.Ĥ9. In tandem with our annual Album of the Year list, we’ve taken a deep and scrutinizing look back at the entirety of 2016, identifying the songs that resonated with us most, the songs that inspired us.ĥ0. With the barrier to entry for music lowered to its most extreme level ever, even songs that are never released as proper singles can, in their own way, become “singles” – in fact, our favorite song this year was never formally released as a single. With that in mind, formulating a list of the year’s best songs becomes a much more intensive task.
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2016 was a year in which trends held and proper, traditional album releases have continued to be lose importance and focus, while the music world revolves more and more around customized playlists and streaming services.